Seam on the bottom side of the sleeve, form and lenght of the sleeves.
2. Visitation by Rogier van der Weyden, c. 1445
Visible side lacing on a long-sleeved dress.
3. Nativity by Hans Memling, c. 1475-1500
Sleeves' loose fit.
Mary wears here white gown over a dark (brown?) kyrtle, at the same time we can see no obvious evidences the gown is lined with fur, as is depicted in the most of paintings.
4. Nativity by Hans Memling, c. 1491
Low neck and forepart's design, yellow color.
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2 комментария:
It's different dresses\gowns and different breeds)))
2. It surcot or uberrock or gown, but not "overdress", on the whole)))
Interesting, but severely peculiar "potpourri", in your style ;о)
What you want in total? And "quo warranto" you use these tucks?)))
Isgerd, the set of pics is only a "stub" yet. And I'm sorry, I can hardly understand what you wanted to say.
Look at the gowns have inspired me:
1. Green to the left
2. One more green
3. Rose to the right
4. Three dresses in a one painting
5. And the Main one
My dressdiary will be filled with new information step by step. Now I'm standing with needle and fabric in my hands and making no steps to disclose my theoretical background to my readers.
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